Great social dancers don’t just execute moves—they jam like musicians.

Last night, in Medellín, I witnessed a live Latin jazz jam session that was incredibly inspiring. The way the musicians improvised together and jammed off each other reminded me of the ingredient that can make salsa dancing so invigorating – the connection.

So, let’s explore how you can structure your dances like a Latin jazz jam session to make them more musical, dynamic, and fun.

The Jazz Influence on Salsa

Jazz played a major role in the rise of mambo in New York City during the 1940s and 1950s, which eventually evolved into salsa as we know it today. By understanding how jazz musicians interact, we can apply similar principles to social dancing.

Step 1: Establish the Groove

In a Latin jazz jam session, musicians use a “standard”—a popular song or melody that serves as a foundation for improvisation. This shared structure allows musicians to jump in and play along.

As dancers, our structure comes from the song playing. We move within that framework, interpreting the rhythms and melodies through our footwork and partner connection.

At the start of a jam session, the pianist often lays down a groove while the other musicians listen and gradually layer on their instruments. Similarly, in dance, you should tune in to your partner’s movements, adjust, and fine-tune your connection before diving into more complex exchanges.

Step 2: Explore Together

Once the groove is set, musicians subtly exchange ideas before anyone takes a solo. They experiment, adjust to each other’s energy, and build on what’s happening in the moment.

As a leader in dance, you can start shifting your timing, energy, or movement dynamics and see how your partner responds. Followers can find small opportunities to style and express themselves within the lead’s structure. This back-and-forth creates an interactive experience rather than just executing a series of moves.

Step 3: Solos and Exchanges

In a jazz session, solos are where individual musicians break free while the rest of the band supports them. The energy dips momentarily to give the spotlight to the soloist and then the soloist typically builds the energy back up until the band joins back in.

In salsa, this is the equivalent of breaking into shines (solo footwork) or giving your partner moments to express themselves within the dance. A leader might hit a musical accent with a dynamic sequence and then create space for the follower to respond and shine. Even within partner work, there are ways to highlight each other’s unique style without fully breaking apart.

Break into shines if you want to give complete freedom. Or try the “you go, then I go” concept in partner work to create a fun playful exchange.

Step 4: Reconnect

Once a musician is finishing their solo the group comes back and plays together again, often repeating a chorus they all know, before going back into another solo. This creates a sense of continuity so the session doesn’t feel too chaotic or disconnected.

You can use this same idea of contrast, going from solos to partner work, to create a sense of unity in your dance as well.

Step 5: More Solos

Once you reconnect, it’s time to give your partner space again. Keep going back and forth. Create that contrast, give each other space, then reconnect and have more fun together.

Step 6: Finale

Once all of the musicians have had their chance to do a solo the group comes back together and prepares for the finale, often raising the energy again before an impressive finale with a crescendo.

 

Likewise, before the end of a song, make sure you reconnect with your partner for the last few phrases of the song and finish with a simple concluding move: a spin to a hug or spin to a dip works great. You can get creative but try and finish on a connected note. Your intention will leave a lasting positive impression.

Social Dance Examples (see video)

Terry and Denise: Improvisation Within Structure

Terry lays the foundation with an open break, and Denise uses the moment to style. He hits a musical accent with a dynamic turn pattern, giving her space to shine again. By holding only one hand instead of both, he allows her freedom to play within the rhythm while maintaining connection.

Eddie Torres Jr: Simple Exchanges for Fun Interactions

Eddie surprises his partner by placing her hands on his body when the lyrics say “sentimiento” (feeling). She plays along and responds with a body wave. Then, Eddie shifts the rhythm by tapping his foot to beats 1, 3, 5, and 7, creating an opportunity for his partner to execute a turn at her own pace—either at normal speed or nice and slow to the same rhythm. This simple yet effective approach adds musicality and fun to the dance.

He then lead the same right turn to the 1-3-5-7 rhythm but they did it together as a couple. You go, we go.

Fabrizio and Tania: You Go, I Go

Fabrizio gave Tania space to style when he gave her two back to back inside free turns and then he decided it was his turn to show his skills and he executed a couple spins back to back. You could see Tania’s ecstatic reaction.

He then contrasted this by offering his arm, so she could interlock with it and they went off the 123-567 rhythm to play with the music, as he guided her. This is like the musicians going from playing as a group, to solos – contrast is effective to create a memorable dance and keep things interesting.

Next, Fabrizio and Tania switched between partner work and shines for the remainder of the dance, playing off each other’s steps, and doing playful exchanges. Fabrizio did some footwork to the violin and then stopped and looked over at Tania to see what she would do. They then copied each other’s steps to finish the shines.

At the end of the dance, Fabrizio reconnected with Tania for the final phrases and gave her a nice dip. A great conclusion.

Bringing It All Together

Social dancing isn’t just about executing patterns—it’s about interacting, improvising, and jamming with your partner, just like musicians do in a jazz session.

• Establish the groove by listening to the song and your partner.
• Play off each other with subtle shifts in energy and movement.
• Take turns “soloing” by creating space for individual expression.
• Reconnect in between solos or energetic exchanges to create contrast.
• Come together at the end and finish on a high note.

By thinking like a jazz musician, you can transform your salsa dancing from predictable patterns into a lively, musical conversation. So next time you hit the dance floor, don’t just dance—jam.

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